{"title":"Artists in Residence","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEvery year, the Museum offers an eleven-month residency for three local, national, or international artists working in any media. Individuals selected for the residency receive institutional guidance and professional development, research support, studio space, and a stipend paid out over the course of the residency.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eProposed as a founding initiative in 1968, the \u003cem\u003eArtist-in-Residence\u003c\/em\u003e program has earned the Studio Museum in Harlem recognition for its catalytic role in advancing the work of visual artists of African and Afro-Latinx descent. Envisioned by William T. Williams, the program gives emerging artists an unparalleled opportunity to develop their practice in an eleven-month residency, and offers audiences the chance to view this work in annual exhibitions.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c!----\u003e","products":[{"product_id":"adam-pendelton","title":"Adam Pendelton","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eAdam Pendleton's original and powerful body of work has been described as the embodiment of a new era.\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003ePendleton's multifaceted projects, which include painting, collage, film, and publishing, re-contextualize historical and theoretical positions on abstraction, blackness, and the avant-garde. Working predominantly in black-and-white, Pendleton often creates 'total works' that envelop viewers and push the limits of contemporary discourse.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.studiomuseum.org\/artists\/adam-pendleton\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eAdam Pendleton\u003c\/strong\u003e\u003c\/a\u003e is a 2008-09 Studio Museum in Harlem artist in residence. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca\u003e\u003cstrong\u003eAuthor(s): \u003c\/strong\u003eAdrienne Edwards, Alec Mapes-Frances, \u003c\/a\u003e\u003ca\u003e\u003c\/a\u003e\u003ca\u003eAndréa Picard \u003cbr\u003e\u003cbr\u003e— \u003cbr\u003ePaperback, Phaidon, 2022\u003cbr\u003e160 p, \u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca\u003e11 3\/8 \u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e× \u003c\/span\u003e\u003c\/a\u003e\u003ca\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca\u003e\u003c\/a\u003e\u003ca\u003e\u003cspan\u003e9 7\/8 in. \u003c\/span\u003e\u003c\/a\u003e \u003c\/p\u003e","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":41636248092831,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_112723_178515.jpg?v=1701292720"},{"product_id":"sable-elyse-smith-and-blue-in-a-decade-where-it-finally-means-sky","title":"Sable Elyse Smith: And Blue in a Decade Where It Finally Means Sky","description":"\u003cp\u003e\u003cstrong\u003eWorking in video, sculpture, photography, and text-based artworks, Smith draws attention to American systems of inequity. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the first major monograph dedicated to the New York–based artist Sable Elyse Smith (born 1986). Through her wide-ranging multimedia practice, Smith elucidates how the carceral state (read America) quietly inflicts violence and is constantly reinforced by the seemingly banal: from furniture found in prison visitation rooms, to pages from state-issued children's coloring books.\u003cbr\u003e\u003cbr\u003eIncluded in this publication are works produced from 2015 to the present day to provide a comprehensive overview of Smith’s videos, sculptures, photography, texts and printed matter. Accompanying over 140 color images are texts by Horace Ballard (Theodore E. Stebbins Jr. Associate Curator of American Art at Harvard Art Museums), Johanna Burton (Executive Director of the Museum of Contemporary Art, Los Angeles), Nana Kwame Adjei-Brenyah (author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFriday Black\u003c\/i\u003e), and Christina Sharpe (writer, professor and Tier 1 Canada Research Chair in Black Studies in the Humanities at York University).\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSable Elyse Smith is a 2018-19 Studio Museum in Harlem artist in residence. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eAuthor(s)\u003c\/strong\u003e: \u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"display: inline !important;\" data-mce-style=\"display: inline !important;\"\u003eHorace Ballard, Johanna Burton, Nana Kwame Adjei-Brenyah, Christina Sharpe\u003cbr\u003e\u003cbr\u003e—\u003ca data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca data-mce-fragment=\"1\"\u003eHardcover, JTT, New York\/Regen Projects, Los Angeles, 2022\u003cbr\u003e\u003c\/a\u003e\u003ca data-mce-fragment=\"1\"\u003e224 p, 6.5 \u003c\/a\u003e\u003ca data-mce-fragment=\"1\"\u003e× 9.5\u003c\/a\u003e\u003ca data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e in. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhotos by JTT\u003c\/span\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":44263620444319,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_090623_171296.jpg?v=1747406349"},{"product_id":"point-of-origin-a-monographic-memoir","title":"Point of Origin: A Monographic Memoir","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eAt over 400 pages, Point of Origin: A Monographic Memoir is the debut book by East African sculptor Valerie Piraino.\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eThis hardcover printing brings beautiful reproductions of Piraino's work together with design details like a gold ribbon bookmark and foil stamped covers.\u003c\/p\u003e\n\u003cp\u003eBoth memoir and monograph, Piraino defines herself and her creative work in her own words and images. Weaving her life story, personal pictures, and over fifteen years of work as a sculptor, Piraino shares some of her early influences, including her formative years throughout Africa and the impact of personal loss. \u003cbr\u003e\u003cbr\u003eValerie Piriano i\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"ui-provider gl b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\" data-mce-fragment=\"1\"\u003es a 2009-10\u003cem\u003e \u003c\/em\u003eStudio Museum in Harlem artist in residence.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAuthor(s): \u003c\/b\u003eValerie Piriano\u003cb data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e—\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover, Valerie Piraino, 2021\u003cbr\u003e\u003c\/span\u003e409pg\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003ePhotos courtesy Valerie Piraino\u003c\/p\u003e","brand":"Valerie Piraino","offers":[{"title":"Default Title","offer_id":44395047813279,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/A.png?v=1687459607"},{"product_id":"simone-leigh","title":"Simone Leigh","description":"\u003cp class=\"redstrong\"\u003e\u003cstrong\u003eThe first major monograph on Simone Leigh’s multimedia explorations of community, Black feminism and the traditions and material cultures of the African diaspora.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOver the past two decades, Simone Leigh has created artwork that situates questions of Black femme-identified subjectivity at the center of contemporary art discourse. Her sculpture, video, installation and social practice explore ideas of race, beauty and community in visual and material culture. Leigh’s art addresses a wide swath of historical periods, geographies and traditions, with specific references to materials across the African diaspora, as well as forms traditionally associated with African art and architecture.This publication includes substantial new scholarship addressing Leigh’s work across mediums and topics.\u003c\/p\u003e\n\u003cp\u003eThe volume, timed with the artist's first museum survey and national tour, includes contributions by her longtime collaborators, new scholars who add diverse insights and perspectives, and a conversation highlighting Leigh’s voice. Additionally, generous and lushly illustrated plates feature her critically acclaimed work for the 59th Venice Biennale and works made throughout her 20-year career. A special section featuring Leigh's research images gives access to Leigh’s research methodologies and encourages readers to fully engage with all aspects of Leigh’s work. This monograph provides a timely opportunity to gain a holistic understanding of the complex and profoundly moving work of this groundbreaking artist.\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSimone Leigh is a 2010-11 Studio Museum in Harlem artist in residence.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEdited with introduction:\u003c\/strong\u003e Eva Respini\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" class=\"TextRun MacChromeBold SCXW159395816 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"NormalTextRun SCXW159395816 BCX0\"\u003e\u003cstrong\u003eAuthor(s):\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eJill Medvedow. Text by Vanessa Agard-Jones, Rizvana Bradley, Dionne Brand, Denise Ferreira da Silva, Malik Gaines, Saidiya V. Hartman, Daniella Rose King, Simone Leigh, Jessica Lynne, Nomaduma Masilela, Katherine McKittrick, Uri McMillan, Sequoia Miller, Steven Nelson, Tavia Nyong’o, Lorraine O'Grady, Rianna Jade Parker, Yasmina Price, Anni Pullagura, Sharifa Rhodes-Pitts, Christina Sharpe, and Hortense J. Spillers\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"LineBreakBlob BlobObject DragDrop SCXW159395816 BCX0\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"SCXW159395816 BCX0\"\u003e\u003cbr\u003e—\u003cbr\u003e\u003c\/span\u003eHardcover, Delmonico Books\/Institute of Contemporary Art, Boston, 2023\u003cbr\u003e372 p, \u003cmeta charset=\"utf-8\"\u003e 10 1\/4\u003cspan data-mce-fragment=\"1\" class=\"TextRun SCXW159395816 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"NormalTextRun SCXW159395816 BCX0\"\u003e × 11 1\/4 in.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' class=\"EOP SCXW159395816 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":44504445714591,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_112723_178536.jpg?v=1701292776"},{"product_id":"kerry-james-marshall-the-complete-prints","title":"Kerry James Marshall The Complete Prints","description":"\u003cp\u003e\u003cstrong\u003eA complete survey of Marshall’s prints from the 1970s to the present, with many previously unseen works\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKerry James Marshall is famed for his beautifully executed paintings that address the under-representation of the Black figure in the Western pictorial tradition. Though best known as a painter, Marshall has throughout his career also produced a vast graphic oeuvre that has been seldom seen and rarely documented. \u003cbr\u003e\u003cbr\u003eMarshall spent his youth building his craft in drawing and painting, but also in wood engraving and printing; by his mid-twenties, he recalls, \"I could do woodcuts, etchings, aquatints.\"Most of his prints have been produced not in professional print workshops but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12-panel woodcut\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eUntitled\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1998–99), to iterations of his ongoing magnum opus\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRythm Mastr\u003c\/i\u003e. And while some have entered prominent museum collections, many exist only in private collections or the artist’s archive and are unknown to the public. This catalogue raisonné offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall’s work as a whole.\u003c\/p\u003e\n\u003cp class=\"redstrong\"\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAuthor(s):\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003eSusan Tallman\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"LineBreakBlob BlobObject DragDrop SCXW159395816 BCX0\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"SCXW159395816 BCX0\"\u003e—\u003cbr\u003e\u003c\/span\u003eHardcover, Ludion\/D.A.P., 2023\u003cbr\u003e256 p, \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW159395816 BCX0\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"NormalTextRun SCXW159395816 BCX0\"\u003e 9.5 × 12 in.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"EOP SCXW159395816 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Penguin Random House","offers":[{"title":"Default Title","offer_id":44629698576543,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/kerry-james-marshall-the-graphic-work-24.jpg?v=1699033750"},{"product_id":"jordan-casteel-within-reach","title":"Jordan Casteel: Within Reach","description":"\u003cp\u003e\u003cstrong\u003eIn her large-scale oil paintings, New York-based artist Jordan Casteel takes up questions of Black subjectivity and representation by examining the gestures, spaces and forms of nonverbal communication that underpin portraiture. “There is a certain amount of mindfulness that it requires ... to be present with someone in a moment.” she explains. “I’ve always had an inclination towards seeing people who might be easily be unseen.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePublished for Casteel’s first solo museum exhibition in New York, this volume brings together 40 large-scale paintings from throughout her career, including works from the celebrated series Visible Man (2013-14) and Nights in Harlem (2017), along with recent cropped “subway paintings” and portraits of her students at Rutgers University-Newark. Whether depicting former classmates from Yale, nude and in serene repose; street vendors near her home in Harlem; anonymous New Yorkers huddled on the subway; or her own students, posed largely in domestic interiors among their personal belongings, she explores how both public and private spheres can serve as frames for an inner life.\u003c\/p\u003e\n\u003cp\u003eThis generously illustrated, oversized publication honors the larger-than-life scale of the artist's work. It is the first comprehensive monographic publication on Casteel’s work and includes texts by Dawoud Bey, Amanda Hunt and Lauren Haynes, and conversations conducted with the artist by Massimiliano Gioni and Thelma Golden.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eJordan Casteel is a 2015-16 Studio Museum in Harlem artist in residence.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEditor: \u003c\/strong\u003eMassimiliano Gioni\u003cstrong\u003e\u003cbr\u003eAuthor(s)\u003c\/strong\u003e:Dawoud Bey, Lauren Haynes, Amanda Hunt,Lisa Phillips\u003c\/p\u003e\n\u003cp\u003e—\u003cbr\u003ePaperback, New Museum, 2020\u003cbr\u003e140 p, \u003cspan\u003e14.5 × 11 in. \u003c\/span\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":45459337969823,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_103024_215017.jpg?v=1730482318"},{"product_id":"lauren-halsey","title":"Lauren Halsey: emajendat","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eInspired by the South Central Los Angeles neighborhood that the artist and her family have lived in for generations, Halsey’s expansive practice teems with the signs and symbols that populate that urban landscape and celebrates the community’s vitality and a creative form of resistance to advancing gentrification and the threat of erasure.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe artist’s important work centers the Black community, both aesthetically and materially.\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eHalsey gathers icons of pride, autonomy, initiative, and resilience from local vernacular sources recontextualizing and reinterpreting them for her utopic fantasies of the city. Both celebrating Black cultural expressions and archiving them, her work—which includes wall works, massive multiroom installations, and immersive outdoor environments—is a potent reminder of the importance of community and home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAuthor(s)\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eWill Alexander, \u003cmeta charset=\"utf-8\"\u003eGeorge Clinton, \u003cmeta charset=\"utf-8\"\u003eDr. LeRonn P. 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The book chronicles Hill’s dynamic practice which includes painting, performance, sculpture, and installation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePublished in conjunction with the closing of Hill’s first solo museum exhibition\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBrake Run Helix\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eat The Massachusetts Museum of Contemporary Art (MASS MoCA), the book offers a retrospective account with insights, essays, and other critical reflections on works produced between 2009 and 2023—works which position themselves on tenets of personal endurance, collective faith, redemption, and refusal.\u003c\/p\u003e\n\u003cp\u003eEJ Hill is a visual artist who lives and works in Los Angeles, California. Much of what he knows, he has learned from: Estelle Thompson, Karen Thompson, Ernest Hill Jr., Margaret Nomentana, Joan Giroux, Adam Brooks and Mat Wilson (Industry of the Ordinary), Andrea Fraser, Mario Ybarra Jr., Na Mira, Matt Austin, Young Chung, Jordan Casteel, TLC, Lauryn Hill, and Augie Grahn. He is forever indebted to these educators and thanks them endlessly.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eAuthor(s):  \u003c\/b\u003e\u003cspan\u003eEJ Hill\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e— \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFirst Edition Hardcover\u003c\/span\u003e, \u003cspan\u003eFor the Birds Trapped in Airports\u003c\/span\u003e, 2025\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Feminist Center for Creative Work","offers":[{"title":"Default Title","offer_id":62751392301215,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/1753800386-screenshot-2025-07-29-at-10-46-21-am.png?v=1775226829"}],"url":"https:\/\/store.studiomuseum.org\/collections\/artists-in-residence.oembed?page=2","provider":"STUDIO STORE ","version":"1.0","type":"link"}