{"title":"On View: Geometries","description":"\u003cp\u003e\u003cstrong\u003eABOUT THIS EXHIBITION\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003eCentering the ancient mathematical study as a point of artistic inquiry, \u003cem\u003eGeometries\u003c\/em\u003e explores how artists of African descent have used lines, shapes, and the spaces between to convey emotion, express identity, or work through formal concerns. Whether conjuring figures from basic shapes or obscuring perception with abstract compositions, the thirty artists in \u003cem\u003eGeometries\u003c\/em\u003e translate the breadth of the study—grid-like city maps, West African textiles, patterned flower heads, and sonic vibrations—into a shared visual vocabulary. Through that common language, the artists in this exhibition impart meaning onto material, opening new interpretive avenues for viewers in turn.\u003cbr\u003e\u003cbr\u003eTo learn more about this exhibition, visit \u003cstrong\u003e\u003ca href=\"https:\/\/www.studiomuseum.org\/exhibitions\/geometries\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"william-t-williams-works-on","title":"William T. Williams: Paintings and Works on Paper","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eExhibition:\u003c\/strong\u003e\u003cem\u003e \u003cspan data-mce-fragment=\"1\"\u003eWilliam T. Williams: Paintings and Works on Paper\u003c\/span\u003e\u003c\/em\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e, \u003c\/em\u003e \u003c\/span\u003e\u003c\/i\u003eJune 24 - November 15, 1992 \u003cbr\u003e\u003cstrong\u003eAuthor(s)\/Contributor(s)\u003c\/strong\u003e:\u003cspan\u003e Kinshasha Holman Conwill and Valerie J. Mercer\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e—\u003cbr\u003ePaperback, The Studio Museum in Harlem, 1992\u003cbr\u003e21 p\u003cbr\u003e\u003c\/p\u003e","brand":"The Studio Museum In Harlem","offers":[{"title":"Default Title","offer_id":37389826129,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/STUDIOMUSEUM_020123_163424_5c79484a-ba5a-4921-acf9-d69db1cb5770.jpg?v=1677602972"},{"product_id":"jack-whitten-ten-years","title":"Jack Whitten: Ten Years 1970–1980","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJack Whitten: Ten Years 1970-1980 is the accompanying catalogue for the exhibition of the same name that opened in 1983.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThis exhibition catalogue highlights \u003cem\u003eJack Whitten: 1970-1980, \u003c\/em\u003ewhich included a group of large canvases and smaller works — demonstrating the depth and range of Whitten's work in his mid-career exhibition. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eExhibition:\u003c\/strong\u003e \u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eJack Whitten: Ten Years 1970–1980\u003c\/span\u003e\u003c\/em\u003e, November 6, 1983 - March 18, 1984\u003cbr\u003e\u003cstrong\u003eAuthor(s)\/Contributor(s)\u003c\/strong\u003e: Dr. Mary Schmidt Campbell, Henry Geldzahler, Kellie Jones\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003ePaperback, The Studio Museum in Harlem, 1983\u003cbr\u003e20 p\u003cbr\u003e\u003c\/p\u003e","brand":"The Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":41004349849759,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/STUDIOMUSEUM_020123_163524.jpg?v=1676073267"},{"product_id":"emilio-cruz-spilled-nightmares-revelations-and-reflections","title":"Emilio Cruz: Spilled Nightmares, Revelations, and Reflections","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan dir=\"ltr\" class=\"ui-provider gs b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eEmilio Cruz: Spilled Nightmares, Revelations, and Reflections\u003c\/i\u003e is the accompanying catalogue for artist Emilio Cruz's Artists-in-Mid-Career exhibition of the same name.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" class=\"ui-provider gs b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eThis 1987 exhibition catalogue highlights Cruz's visual arts practice, and his evolution in fantastical and allegorical scenes, as a mode for reflection on various philosophies, religions, and natural and social sciences.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" class=\"ui-provider gs b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003eExhibition:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eEmilio Cruz: Spilled Nightmares, Revelations, and Reflections, \u003c\/em\u003eSeptember 27, 1987-January 3, 1988\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAuthor(s)\/Contributor(s):\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Kinshasha Holman Conwill and Susan Fleminger\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003ePaperback, Studio Museum in Harlem, 1987\u003cbr\u003e23 p\u003cbr\u003e\u003c\/p\u003e","brand":"The Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":41281391526047,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/STUDIOMUSEUM_020123_163523.jpg?v=1676073253"},{"product_id":"artists-respond-the-new-world-question","title":"Artists Respond: The \"New World\" Question","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eArtists Respond: The \"New World\" Question\u003c\/em\u003e is the Studio Museum in Harlem's exhibition catalogue for the 1993 celebratory exhibition of the same name. \u003cem\u003eArtists Respond \u003c\/em\u003ewas as shown as a part of the Studio Museum in Harlem's 25th Anniversary Year celebration.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eA\u003cem\u003ertists Respond: The \"New World\" Question\u003c\/em\u003e features the work of seven African-American and Latino artists that were selected to create site-specific installations and performances surrounding discourse on the legacy of Christopher Columbus's \"discovery\" of the \"New World.\" \u003cbr\u003e\u003cbr\u003eThe artists featured in this exhibition were Martha Jackson-Harvis, Joseph S. Lewis III, Antonio Martorell, Fred Wilson, Emilio Cruz, Joyce Scott, and Kaylynn Sullivan Twotrees.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003eExhibition:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eArtists Respond: The \"New World\" Question\u003c\/em\u003e,\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eMay 5-August 22, 1993\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAuthor(s)\/Contributor(s)\u003c\/strong\u003e:\u003cspan data-mce-fragment=\"1\"\u003e Kinshasha Holman Conwill and Valerie J. 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Working predominantly in black-and-white, Pendleton often creates 'total works' that envelop viewers and push the limits of contemporary discourse.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.studiomuseum.org\/artists\/adam-pendleton\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eAdam Pendleton\u003c\/strong\u003e\u003c\/a\u003e is a 2008-09 Studio Museum in Harlem artist in residence. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca\u003e\u003cstrong\u003eAuthor(s): \u003c\/strong\u003eAdrienne Edwards, Alec Mapes-Frances, \u003c\/a\u003e\u003ca\u003e\u003c\/a\u003e\u003ca\u003eAndréa Picard \u003cbr\u003e\u003cbr\u003e— \u003cbr\u003ePaperback, Phaidon, 2022\u003cbr\u003e160 p, \u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca\u003e11 3\/8 \u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e× \u003c\/span\u003e\u003c\/a\u003e\u003ca\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca\u003e\u003c\/a\u003e\u003ca\u003e\u003cspan\u003e9 7\/8 in. \u003c\/span\u003e\u003c\/a\u003e \u003c\/p\u003e","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":41636248092831,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_112723_178515.jpg?v=1701292720"},{"product_id":"jack-whitten-notes-from-the-woodshed","title":"Jack Whitten: Notes from the Woodshed","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWidely celebrated for his experimental approach to painting, Jack Whitten often turned to writing as a way to investigate, understand, and grapple with his practice and his milieu. ‘Notes from the Woodshed’ is the first publication devoted to Whitten’s writings and takes its name from the heading Whitten scrawled across many of his texts. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs curator and writer Legacy Russell explains in a January 2021 conversation on Whitten with cultural theorist, poet, and scholar Fred Moten, ‘The definition of ‘woodshed’ comes from the world of jazz. 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