{"title":"Photography","description":"","products":[{"product_id":"frank-stewart-untitled-from-the-second-line-series-1976-mounted-print","title":"Frank Stewart Untitled (from the \"Second Line\" series) Mounted Print","description":"\u003cp\u003e\u003cstrong\u003eBest known for documenting jazz musicians, Frank Stewart creates intimate photographs of Black culture that offer a glimpse into the intense emotion brought forth by a style of music that welcomes improvisation and freedom of expression.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eHere, a woman, donning an all-white ensemble and holding a large umbrella, dances to the rhythms of a small procession of horn players nearby. An artist in residence at the Studio Museum and a member of the Kamoinge Workshop, a New York-based collective of African-American photographers founded in 1963, Stewart captures meaningful moments that record the integral role jazz plays in the black community.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrank Stewart is a 1975-76 Studio Museum in Harlem artist in residence.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e—\u003cbr\u003e\u003c\/strong\u003e11.7\u003cspan data-mce-fragment=\"1\"\u003e \u003cmeta charset=\"utf-8\"\u003e× 16.5 in.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis print is printed on 300gsm Munken (textured) paper.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan class=\"collection-item-detail med-text\" data-mce-fragment=\"1\"\u003eFrank Stewart (b. 1949)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"collection-item-detail gray med-text\" data-mce-fragment=\"1\"\u003e\u003cem\u003eUntitled\u003c\/em\u003e (from the \"Second Line\" series), 1976\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"collection-item-detail gray med-text\" data-mce-fragment=\"1\"\u003eSilver print\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"collection-item-detail gray med-text\" data-mce-fragment=\"1\"\u003eImage: 12 1\/4 × 18 1\/4 in. \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"collection-item-detail gray med-text\" data-mce-fragment=\"1\"\u003eThe Studio Museum in Harlem; gift of the artist  \u003c\/span\u003e\u003cspan class=\"collection-item-detail gray med-text\" data-mce-fragment=\"1\"\u003e1979.3.3\u003c\/span\u003e\u003c\/p\u003e","brand":"King \u0026 McGaw","offers":[{"title":"Default Title","offer_id":37141556232351,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/IMG_2012copy.jpg?v=1608031615"},{"product_id":"home-contemporary-images-by-black-photographers","title":"Home: Contemporary Urban Images by Black Photographers","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eExhibition\u003c\/strong\u003e: \u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eHome: Contemporary Urban Images by Black Photographers\u003c\/span\u003e, \u003c\/em\u003eSeptember 16 - December 30, 1990\u003cbr\u003e\u003cstrong\u003eAuthor(s)\/Contributor(s)\u003c\/strong\u003e:\u003cspan\u003e Kinshasha Holman Conwill and Sharon F. Patton\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003c\/span\u003ePaperback, Studio Museum in Harlem, 1990\u003cbr\u003e26 p\u003cbr\u003e\u003c\/p\u003e","brand":"The Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":41003583275167,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/STUDIOMUSEUM_020123_163420_856a6235-2aa6-4b04-aec1-df71b75768a6.jpg?v=1677603049"},{"product_id":"introspect-the-photography-of-anthony-barboza","title":"Introspect: The Photography of Anthony Barboza","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eIntrospect: The Photography of Anthony Barboza is the accompanying catalogue for artist Anthony Barboza's 1982 exhibition at the Studio Museum in Harlem.\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eExhibition:\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eIntrospect: The Photography of Anthony Barboza\u003c\/em\u003e, November 17, 1982-January 10, 1983\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAuthor(s)\/Contributor(s)\u003c\/strong\u003e:\u003cspan\u003e Anthony Barboza, C. Daniel Dawson, \u003cmeta charset=\"utf-8\"\u003eTerrie S. Rouse, Deborah Willis-Thomas\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003ePaperback, The Studio Museum in Harlem, 1982\u003cbr\u003e32 p\u003cbr\u003e\u003c\/p\u003e","brand":"The Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":41004173852831,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_020123_163522.jpg?v=1686935221"},{"product_id":"for-the-sake-of-the-viewer","title":"Lorna Simpson: For the Sake of the Viewer","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLorna Simpson: For the Sake of the Viewer is the accompanying catalogue for the  major museum exhibition for artist Lorna Simpson.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eExhibition:\u003c\/strong\u003e \u003cem\u003eLorna Simpson: For the Sake of the Viewer\u003c\/em\u003e, February 25 - April 30, 1994\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAuthors\/Contributors\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSaidiya V. Hartman, \u003c\/span\u003eBeryl J. Wright\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003cbr\u003ePaperback, The Museum of Contemporary Art Chicago, 1992.\u003cbr\u003e23 p\u003c\/p\u003e","brand":"Museum of contemporary Arts, Universe","offers":[{"title":"Default Title","offer_id":41012433354911,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/STUDIOMUSEUM_020123_163520.jpg?v=1676073130"},{"product_id":"stone-churches-of-ethopia","title":"Stone Churches of Ethiopia","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStone Churches of Ethiopia is the accompanying catalogue for the 1978 exhibition,  \u003cem data-mce-fragment=\"1\"\u003eStone Churches of Ethiopia: Photography by Jim Payne. \u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003eThis exhibition catalogue chronicles photographer Jim Payne's 1973 experience in the Ethiopian village of Lalibela, where he encountered eleven remarkable stone churches. 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Daniel Dawson, \u003cmeta charset=\"utf-8\"\u003eRoy DeCarava, Sherry Turner DeCarava\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e— \u003cbr\u003ePaperback, The Studio Museum in Harlem, 1983\u003cbr\u003e84 p\u003cbr\u003e\u003cstrong\u003eAll Exhibition Catalogs are final sale. \u003c\/strong\u003e\u003c\/p\u003e","brand":"The Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":41281443233951,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/STUDIOMUSEUM_020123_163543.jpg?v=1676073642"},{"product_id":"as-we-rise-photography-from-the-black-atlantic","title":"As We Rise: Photography from the Black Atlantic, Selections from the Wedge Collection","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' class=\"EOP SCXW111459199 BCX0\"\u003e\u003cb\u003e\u003ci\u003eAs We Rise\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epresents an exciting compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDrawn from Dr. Kenneth Montague’s \u003ca href=\"https:\/\/www.wedgecollection.org\/\" target=\"_blank\"\u003e\u003cstrong\u003eWedge Collection\u003c\/strong\u003e\u003c\/a\u003e in Toronto—a Black-owned collection dedicated to artists of African descent—\u003ci\u003eAs We Rise\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003elooks at the multifaceted ideas of Black life through the lenses of community, identity, and power. Artists such as Stan Douglas, LaToya Ruby Frazier, Barkley L. 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Nzewi, Mark Sealy, Teka Selman, and Deborah Willis among others provide insight and commentary on this monumental collection.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun MacChromeBold SCXW111459199 BCX0\" xml:lang=\"EN-US\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" class=\"NormalTextRun SCXW111459199 BCX0\"\u003eAutho\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" class=\"NormalTextRun SCXW111459199 BCX0\"\u003e\u003cstrong\u003er(s): \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eTeju Cole, \u003cmeta charset=\"utf-8\"\u003eLiz Ikiriko, Mark Sealy\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"LineBreakBlob BlobObject DragDrop SCXW111459199 BCX0\"\u003eHardcover, Aperture, 2021\u003cbr\u003e184 p, \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW111459199 BCX0\" xml:lang=\"EN-US\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"NormalTextRun SCXW111459199 BCX0\"\u003e11.4 × 11.4 in.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"EOP SCXW111459199 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"EOP SCXW111459199 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41762952216735,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_112723_178504.jpg?v=1701292663"},{"product_id":"copy-of-james-van-der-zee-family-album","title":"James Van Der Zee: Family Album","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eAuthor(s)\/Contributor(s)\u003c\/strong\u003e:\u003cspan\u003e F.D Tooley, James Van Der Zee\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003ePaperback, The Studio Museum in Harlem, 1976\u003cbr\u003e16 p\u003cbr\u003e\u003c\/p\u003e","brand":"The Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":41980686008479,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/STUDIOMUSEUM_020123_163518.jpg?v=1676073099"},{"product_id":"shikeith-notes-towards-becoming-a-spill","title":"Notes towards Becoming a Spill","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eThe first monograph by sculptor, filmmaker, and photographer Shikeith,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNotes towards Becoming a Spill\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebrings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy.\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShikeith describes the work as “leaning into the uncanny,” visualizing ritual and the process of excavating Black men’s erotic potential, the better to exorcise the “intangible presences that haunt their bodies and psyches.” The men’s faces and bodies glisten with sweat (and tears)—the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as “an ideal, a warm depiction that insists on concrete possibility for another world.” In this revelatory volume, Shikeith redefines the idea of sacred space and positions a queer ethic identified by its investment in vulnerability, tenderness, and joy.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ca data-mce-fragment=\"1\"\u003eAuthor(s): Ashton T. Crawley\u003c\/a\u003e\u003ca data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003cbr\u003e— \u003cbr\u003eHardcover, Aperture, 2022\u003cbr\u003e112 p, \u003c\/a\u003e\u003ca data-mce-fragment=\"1\"\u003e8.12 × 12.75 \u003c\/a\u003e\u003ca data-mce-fragment=\"1\"\u003ein. \u003c\/a\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42189834682527,"sku":"","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_060123_169064.jpg?v=1686343991"},{"product_id":"on-freedom-the-art-of-photojournalism","title":"On Freedom: The Art of Photojournalism","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExhibition: \u003c\/strong\u003e\u003cem\u003eOn Freedom: The Art of Photojournalism\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e July 10 - August 28, 1986\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAuthor(s)\/Contributor(s)\u003c\/strong\u003e:\u003cspan data-mce-fragment=\"1\"\u003e Mary Schmidt Campbell, Deborah Willis-Ryan\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e— \u003cbr\u003ePaperback, The Studio Museum in Harlem, 1986\u003cbr\u003e19 p\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":42400957235359,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/STUDIOMUSEUM_020123_163547.jpg?v=1676073656"},{"product_id":"shala-miller-tender-noted","title":"Tender Noted","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eTender Noted\u003c\/em\u003e  is a meditation on the intersection of desire, mourning, and listening to one’s skin while coming to understand the practice of love.\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eThis interdisciplinary work brings together images from Miller’s filmic and photographic practice, informed by and given voice to by Miller’s writing. 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Moving between poems and lists, diaristic writing, and plays, which feature characters such as Mrs. Lovely, Miller asks what types of speech, postures, and practices define the self within the entanglement of relation.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTender Noted\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a study on love in its everyday pain and pleasure.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAuthor(s):  \u003c\/b\u003eShala Miller\u003cbr\u003e\u003cstrong\u003eDesigner(s): \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKyla Arsadjaja\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e— \u003cbr\u003ePaperback, Wendy's Subway, 2023\u003cbr\u003e256 p, \u003cb data-mce-fragment=\"1\"\u003e \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 3\/8 × 9 7\/8 in.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wendy's Subway","offers":[{"title":"Default Title","offer_id":43012914938015,"sku":"","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/products\/miller_cover_final_web.png?v=1678758077"},{"product_id":"marilyn-nance","title":"Last Day in Lagos","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cstrong\u003eThis book stages an in-depth encounter with Nance’s FESTAC photographic archive. With a sensitivity to recurring formal and conceptual themes, it contends with the scope of the archive’s 1,500 images of the festival and its adjacent events.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom 15 January through 12 February 1977, more than 15,000 artists, intellectuals, and performers from 55 nations worldwide gathered in Lagos, Nigeria. Formally titled the Second World Black and African Festival of Arts and Culture, \u003c\/span\u003eFESTAC 77\u003cspan data-mce-fragment=\"1\"\u003e drew on the Négritude foundations of Senegal’s 1966 World Festival of Negro Arts and emphasized themes of Pan-Africanism and global black liberation. Visual artist Marilyn Nance served as the official photographer for the USA contingent of the North American delegation to FESTAC.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eLocating Nance’s perspective within the context of geopolitical, historical, and aesthetic discourses of the Black Atlantic, postcolonial Nigeria, and the Black Arts Movement in the United States, LAST DAY IN LAGOS provides a series of entry-points through which to consider the construction, circulation, and maintenance of photographic archives that render black liberation and celebration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarilyn Nance is a 1993-93 Studio Museum in Harlem artist in residence.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEditor: \u003c\/b\u003eOluremi C. Onabanjo\u003cb data-mce-fragment=\"1\"\u003e\u003cbr\u003eAuthor(s): \u003cspan class=\"author notFaded\" data-width=\"191\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"contribution\" data-mce-fragment=\"1\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"author notFaded\" data-width=\"191\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"contribution\" data-mce-fragment=\"1\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003eAntawan I. Byrd, \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eZakiya Collier, \u003c\/span\u003eUchenna Ikonne, \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eChisom Ilogu, \u003cmeta charset=\"utf-8\"\u003eTsitsi Ella Jaji, J\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eulie Mehretu\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"191\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"contribution\" data-mce-fragment=\"1\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan class=\"author notFaded\" data-width=\"191\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"contribution\" data-mce-fragment=\"1\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003eHardcover, CARA\/Fourthwall Books,\u003cspan data-mce-fragment=\"1\"\u003e 2022\u003cbr\u003e\u003c\/span\u003e300 p, \u003cmeta charset=\"utf-8\"\u003e 6 1\/2\u003cspan data-mce-fragment=\"1\"\u003e × 8 1\/4 in.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":44479171821727,"sku":null,"price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_090623_171323.jpg?v=1694462764"},{"product_id":"lyle-ashton-harris-our-first-and-last-love","title":"Lyle Ashton Harris: Our first and last love","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eGathering photographs, assemblages, video installations and archival selections from his celebrated and lesser-known series, \u003ci\u003eOur first and last love \u003c\/i\u003echarts new connections across the artistic practice of New York–based artist Lyle Ashton Harris. Informed by an adolescence that unfolded in New York City and Dar es Salaam, Tanzania, as well as several years spent living in Ghana, Harris explores the complexities of African and African American collective identity while forging his own personal narrative as a Black queer man.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book and its accompanying solo survey exhibition chronicles Harris’ approach to representation and self-portraiture while tracing recurrent themes and formal techniques in his work over the last 35 years. Central to this curated selection is Harris’ most recent series titled \u003c\/span\u003e\u003ci\u003eShadow Works\u003c\/i\u003e\u003cspan\u003e, mixed-media assemblages of photographic prints embedded in Ghanaian printed textiles with cowrie shells, pottery, handwritten notes, clippings of the artist’s dreadlocks and other personal ephemera. 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Miller \u0026amp; Co., Queens Museum of Art, Rose Art Museum, 2024\u003cbr\u003e168 p, 10 × 11.5 in.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":55753131819167,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/STUDIOMUSEUM_061725_224118.jpg?v=1752021047"},{"product_id":"gordon-parks-born-black-a-personal-report-on-the-decade-of-black-revolt-1960-1970","title":"Born Black A Personal Report on the Decade of Black Revolt 1960–1970","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOriginally published in 1971, Gordon Parks’ \u003ci\u003eBorn Black\u003c\/i\u003e was the first book to unite his writing and his photography and also the first to provide a focused survey of Parks’ documentation of a crucial time for the civil rights and Black Power movements.\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMore than 50 years later, this expanded edition illuminates Parks’ vision for the book and offers deeper insight into the series contained within. The original publication featured nine articles commissioned by \u003c\/span\u003e\u003ci\u003eLife\u003c\/i\u003e\u003cspan\u003e magazine from 1963 to 1970 supplemented with later commentary by Parks and presented as his personal account of these important historical moments. \u003c\/span\u003e\u003ci\u003eBorn Black\u003c\/i\u003e\u003cspan\u003e includes the original text and images, as well as additional photographs from each series, spreads from the 1971 book, early correspondence and reproductions of related \u003c\/span\u003e\u003ci\u003eLife\u003c\/i\u003e\u003cspan\u003e articles.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe nine series included in \u003c\/span\u003e\u003ci\u003eBorn Black\u003c\/i\u003e\u003cspan\u003e include a rare glimpse inside San Quentin State Prison; extensive documentation of the Black Muslim movement and the Black Panthers; his commentaries on the deaths of civil rights leaders Malcolm X and Martin Luther King, Jr.; intimate portrait studies of Stokely Carmichael, Muhammad Ali and Eldridge Cleaver; and a narrative of the daily life of the impoverished Fontenelle family in Harlem. These selections have come to define Parks' legendary career as a photographer and activist. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAuthor: \u003cspan\u003eJelani Cobb, Nicole R. Fleetwood, Peter W. 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Presenting new perspectives by leading writers on his long-standing themes of self-determination and the extraordinary radiance of the everyday, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWish This Was Real\u003c\/span\u003e\u003cspan\u003e shows how photography can be rooted in a collective past while evoking imagined futures.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eAuthor(s)\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnna Wintour, Sophie Cavoulacos, Brendan Embser, Rashid Johnson, Robin Coste Lewis, Sarah Lewis, Drew Sawyer, Rachel Tashjian, and Salamishah Tillet\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e—\u003cbr\u003eHardcover, Aperture Direct, 2025\u003cbr\u003e272 p, 8.2 × 10.71 in.\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":62472939765919,"sku":null,"price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1588\/3167\/files\/TM_WTWR_ENG_WH_Cover_2_Cropped2-1-scaled.jpg?v=1756129910"},{"product_id":"arthur-jafa-live-evil","title":"Arthur Jafa: Live Evil","description":"\u003cp\u003e\u003cstrong\u003eOver several decades, American filmmaker and artist Arthur Jafa has constructed a compelling body of work that defies categorization. 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Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself.\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eEach page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. 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