The first major monograph on Simone Leigh’s multimedia explorations of community, Black feminism and the traditions and material cultures of the African diaspora.
Over the past two decades, Simone Leigh has created artwork that situates questions of Black femme-identified subjectivity at the center of contemporary art discourse. Her sculpture, video, installation and social practice explore ideas of race, beauty and community in visual and material culture. Leigh’s art addresses a wide swath of historical periods, geographies and traditions, with specific references to materials across the African diaspora, as well as forms traditionally associated with African art and architecture.This publication includes substantial new scholarship addressing Leigh’s work across mediums and topics.
The volume, timed with the artist's first museum survey and national tour, includes contributions by her longtime collaborators, new scholars who add diverse insights and perspectives, and a conversation highlighting Leigh’s voice. Additionally, generous and lushly illustrated plates feature her critically acclaimed work for the 59th Venice Biennale and works made throughout her 20-year career. A special section featuring Leigh's research images gives access to Leigh’s research methodologies and encourages readers to fully engage with all aspects of Leigh’s work. This monograph provides a timely opportunity to gain a holistic understanding of the complex and profoundly moving work of this groundbreaking artist.
Simone Leigh is a 2010-11 Studio Museum in Harlem Artist-in-Residence Alumni.
Edited with introduction: Eva Respini Author(s):Jill Medvedow. Text by Vanessa Agard-Jones, Rizvana Bradley, Dionne Brand, Denise Ferreira da Silva, Malik Gaines, Saidiya V. Hartman, Daniella Rose King, Simone Leigh, Jessica Lynne, Nomaduma Masilela, Katherine McKittrick, Uri McMillan, Sequoia Miller, Steven Nelson, Tavia Nyong’o, Lorraine O'Grady, Rianna Jade Parker, Yasmina Price, Anni Pullagura, Sharifa Rhodes-Pitts, Christina Sharpe, and Hortense J. Spillers —
Hardcover, Delmonico Books/Institute of Contemporary Art, Boston, 2023 372 p, 10 1/4 × 11 1/4 in.
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